Végh Quartet, Margot Friedländer made "String Quartet In A Major, Op. 18 No. 5 - Iii. Andante Cantabile. Thema - Variationen I-v - Coda. Poco Adagio" available on April 29, 2008. The duration of String Quartet In A Major, Op. 18 No. 5 - Iii. Andante Cantabile. Thema - Variationen I-v - Coda. Poco Adagio is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. String Quartet In A Major, Op. 18 No. 5 - Iii. Andante Cantabile. Thema - Variationen I-v - Coda. Poco Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 71 in Beethoven: the Complete String Quartets by Végh Quartet. In terms of popularity, String Quartet In A Major, Op. 18 No. 5 - Iii. Andante Cantabile. Thema - Variationen I-v - Coda. Poco Adagio is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of String Quartet In A Major, Op. 18 No. 5 - Iii. Andante Cantabile. Thema - Variationen I-v - Coda. Poco Adagio by Végh Quartet, Margot Friedländer is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
String Quartet No. 2, Op. 13: II. Allegretto grazioso | Hanns Jelinek, Végh Quartet | C Major | 0 | 8B | 97 BPM | ||
Quatuor No. 5, Sz. 102: V. Finale | Béla Bartók, Végh Quartet, Sando Végh, Sandor Zöldy, Georges Janzer, Paul Szabo | D♭ Major | 2 | 3B | 124 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: VII. Variazione V Rondò allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 4 | 4B | 107 BPM | ||
Quatuor No. 5, Sz. 102: IV. Andante | Béla Bartók, Végh Quartet, Sando Végh, Sandor Zöldy, Georges Janzer, Paul Szabo | C Minor | 1 | 5A | 100 BPM |
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