On October 1, 2021, the song "Ekstasis: II. Sweat" was released by Gavin Higgins, David Cohen, Sara Roberts, Piatti Quartet. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gavin Higgins, Piatti Quartet, Fidelio Trio, Thomas Gould's "Gavin Higgins: Ekstasis" album is number 17 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Ekstasis: II. Sweat is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ekstasis: II. Sweat by Gavin Higgins, David Cohen, Sara Roberts, Piatti Quartet to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Grand Choeur Dialogué [From "Six Pièces d'Orgue"] - Low Brass Version: Baritone Horn, Euphonium & Tuba | Brian Kelley, Matonizz, Jorijn Van Hese, Drew Fennell | G Major | 0 | 9B | 168 BPM | ||
Romances, Op. 94: I. Nicht Schnell | James Markey | A Minor | 0 | 8A | 66 BPM | ||
What Wild Ecstasy | Gavin Higgins, Rambert Orchestra, Paul Hoskins | D Minor | 1 | 7A | 153 BPM | ||
狂気の影 | Takashi Kako | G Minor | 3 | 6A | 83 BPM | ||
Euphonium Concerto: II. Andantino | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | A♭ Major | 0 | 4B | 67 BPM | ||
Rondeau, Op. 97 (arr. for brass ensemble by Jarle Storløkken) | Cécile Chaminade, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
プロヴァンスの風景: プロヴァンスの風景: いとしい人への歌 | Paule Maurice, Nobuya Sugawa, 小柳美奈子 | E Minor | 1 | 9A | 66 BPM |
Section: 0.9631075859069824
End: 0.9696619510650635