Frederick the Great, Mary Oleskiewicz, Máté Balázs, David Schulenberg made "Flute Sonata No. 146 in C Major: II. Allegro" available on July 15, 2014. The duration of Flute Sonata No. 146 in C Major: II. Allegro is about 3 minutes long, at 3:07. Based on our data, "Flute Sonata No. 146 in C Major: II. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Frederick the Great, Mary Oleskiewicz's "King Frederick the Great of Prussia 7 Flute Sonatas" album is number 5 out of 21. In terms of popularity, Flute Sonata No. 146 in C Major: II. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Flute Sonata No. 146 in C Major: II. Allegro by Frederick the Great, Mary Oleskiewicz, Máté Balázs, David Schulenberg to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro moderato | Antonio Vivaldi, Burkhard Glaetzner, Christine Schornsheim, New Bach Collegium Musicum Leipzig, Max Pommer | G Minor | 2 | 6A | 131 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 129 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana | D Minor | 1 | 7A | 103 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |
Section: 0.5876307487487793
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