Marin Marais, Mathias Vidal, Hélène Carpentier, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Act III: Duo. Aimons-nous tendrement" was released on its scheduled release date, March 17, 2023. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 14 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act III: Duo. Aimons-nous tendrement is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Ariane et Bacchus, Act III: Duo. Aimons-nous tendrement by Marin Marais, Mathias Vidal, Hélène Carpentier, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatrième livre: La de Drummond | Jacques Duphly, Christophe Rousset | A♭ Minor | 4 | 1A | 117 BPM | ||
Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) | Johann Sebastian Bach, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Semele: Prologue: March of the Satyrs and Maenads | Marin Marais, Shannon Mercer, Benedicte Tauran, Jaël Azzaretti, Hjordis Thebault, Anders J. Dahlin, Thomas Dolie, Lisandro Abadie, Marc Labonnette, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 91 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Les Sauvages (Pièces de clavecin, 1728 - Les Indes Galantes) | Jean-Philippe Rameau, Pierre Hantaï, Skip Sempé | A Minor | 1 | 8A | 116 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM |