Felix Mendelssohn, Maria Cristina Kiehr, Werner Güra, Michael Volle, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius made "Paulus, Op. 36, MWV A14 / Part 1: No. 5 Chor: "Dieser Mensch hört nicht auf"" available on May 1, 2007. The duration of Paulus, Op. 36, MWV A14 / Part 1: No. 5 Chor: "Dieser Mensch hört nicht auf" is about 3 minutes long, at 3:19. Based on our data, "Paulus, Op. 36, MWV A14 / Part 1: No. 5 Chor: "Dieser Mensch hört nicht auf"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Maria Cristina Kiehr, Werner Güra, Michael Volle, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius's "Mendelssohn: Paulus, Op. 36" album is number 5 out of 45. On top of that, Germany appears to be the country where this track was created. Paulus, Op. 36, MWV A14 / Part 1: No. 5 Chor: "Dieser Mensch hört nicht auf" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Paulus, Op. 36, MWV A14 / Part 1: No. 5 Chor: "Dieser Mensch hört nicht auf" by Felix Mendelssohn, Maria Cristina Kiehr, Werner Güra, Michael Volle, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne in C-Sharp Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | D♭ Minor | 0 | 12A | 72 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM |
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