Judith Weir, Andrew Murgatroyd, Christopher Bowen, Edward Goater, Edward Price, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins's 'The Vanishing Bridegroom, Act I: The Dying Man Sits Up' had a release date set for September 2, 2014. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #3 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act I: The Dying Man Sits Up is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act I: The Dying Man Sits Up by Judith Weir, Andrew Murgatroyd, Christopher Bowen, Edward Goater, Edward Price, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Vanishing Bridegroom, Act I: The Dying Man Sits Up being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bring me all your dreams - SATB | Christopher H. Harris, London Voices | F Minor | 2 | 4A | 81 BPM | ||
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Songs on One Page, H. 294: No. 5, U maměnky | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Major | 1 | 7B | 179 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Beauty for Ashes | Bob Chilcott, The Elysian Singers, Sam Laughton, Mark Brafield | B♭ Major | 1 | 6B | 61 BPM | ||
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
Be Still and Know That I Am God | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM |