Johann Sebastian Bach, Renaud Capuçon, Chamber Orchestra of Europe, Céline Frisch made "Bach, J.S.: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro" available on March 3, 2014. Since Bach, J.S.: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 14 in Distant Light - Renaud Capuçon plays Bach & Vasks by Renaud Capuçon, Chamber Orchestra of Europe. In terms of popularity, Bach, J.S.: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, J.S.: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro by Johann Sebastian Bach, Renaud Capuçon, Chamber Orchestra of Europe, Céline Frisch is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciacona in G Minor, Z. 730 | Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer | G Minor | 1 | 6A | 138 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
IV. Wenn auch gleich aus der Höllen (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | B♭ Minor | 3 | 3A | 102 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | E Major | 2 | 12B | 132 BPM |
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