Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe made "Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio" available on January 1, 1991. Since Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Beethoven: Symphonies Nos. 1 & 2 by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | F Major | 0 | 7B | 85 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 130 BPM | ||
Violin Concerto in D Major Op. 61: Violin Concerto in D Major Op. 61: III. Rondo allegro | Ludwig van Beethoven, Isabelle Faust, Claudio Abbado, Orchestra Mozart | D Major | 1 | 10B | 93 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
A:4 Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, C. P. E. Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 0 | 5B | 143 BPM |
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