"Rosamunde, D.797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n" by Franz Schubert, Christa Ludwig, Irwin Gage was released on January 1, 1991. The duration of Rosamunde, D.797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Rosamunde, D.797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Schubert: Lieder". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Rosamunde, D.797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rosamunde, D.797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n by Franz Schubert, Christa Ludwig, Irwin Gage having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Valses sentimentales, Op. 50, D.779: No. 17 in C Major - No. 18 in A-Flat Major - No. 19 in A-Flat Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM |
Section: 0.5707228183746338
End: 0.5744771957397461