"Requiem Novum: III. Dies irae" by Mårten Jansson, Voces8, Apollo5, Barnaby Smith, Philharmonia Orchestra was released on March 25, 2022. Since Requiem Novum: III. Dies irae is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mårten Jansson, Apollo5, Anna Dennis, Voces8, Barnaby Smith, Philharmonia Orchestra's "Jansson: Requiem Novum" album is number 5 out of 13. Requiem Novum: III. Dies irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem Novum: III. Dies irae by Mårten Jansson, Voces8, Apollo5, Barnaby Smith, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Requiem Novum: IV. On That Day of Weeping | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM | ||
Quatre motets pour un temps de pénitence: I. Timor et tremor venerunt super me | Francis Poulenc, Bavarian Radio Chorus, Barbara Fleckenstein, Peter Dijkstra | G Major | 1 | 9B | 143 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM |
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