"Fontane di Roma: Symphonic Poem: III. La Fontana di Trevi al merriggio: Allegro moderato - Allegro vivace - Largamente" by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra was released on 1957. The duration of Fontane di Roma: Symphonic Poem: III. La Fontana di Trevi al merriggio: Allegro moderato - Allegro vivace - Largamente is about 3 minutes long, at 3:25. Based on our data, "Fontane di Roma: Symphonic Poem: III. La Fontana di Trevi al merriggio: Allegro moderato - Allegro vivace - Largamente" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #7. Based on our statistics, Fontane di Roma: Symphonic Poem: III. La Fontana di Trevi al merriggio: Allegro moderato - Allegro vivace - Largamente's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma: Symphonic Poem: III. La Fontana di Trevi al merriggio: Allegro moderato - Allegro vivace - Largamente by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Eclogue) | Jean Sibelius, Håvard Gimse | A Minor | 1 | 8A | 127 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 143 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM |
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