- BPM
- 71
- Key
- A♭ Minor
- Camelot
- 1A
Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau - Claude Debussy, Gérard Souzay, Dalton Baldwin Information
- Acousticness
- 99%
- Danceability
- 42%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 79%
- Speechiness
- 7%
- Valence
- 51%
- Popularity
- 0%
- Loudness
- -12.32 dB
Summary
Claude Debussy, Gérard Souzay, Dalton Baldwin made "Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau" available on January 1, 2002. With Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Debussy: Mélodies by Claude Debussy, Gérard Souzay, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau BPM
The tempo marking of Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau by Claude Debussy, Gérard Souzay, Dalton Baldwin is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Trois chansons de France, L. 102: I. Rondel I: Le temps a laissié son manteau Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
 | Le carnaval des animaux: Saint-Saens - Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Konstantin Scherbakov | F♯ Major | 0 | 2B | 75 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 75 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | Liebestraum (Love Dream) | Franz Liszt, Michael Krücker | A♭ Major | 1 | 4B | 70 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM |
- ISRC
- DEF056101670
- Label
- L-M Records/RCA Records
Section: 0.6417036056518555
End: 0.6454405784606934