"Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM |
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