"Fauré: Requiem, Op. 48: VI. Libera me" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris was released on September 5, 2011. With this song being about 5 minutes long, at 4:32, "Fauré: Requiem, Op. 48: VI. Libera me" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Fauré Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. Fauré: Requiem, Op. 48: VI. Libera me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: VI. Libera me by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 6. Libera me | Gabriel Fauré, Sherrill Milnes, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 1 | 6A | 104 BPM | ||
Symphony in C: Final : Allegro vivace | Georges Bizet, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 147 BPM | ||
Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 59 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt | G Minor | 3 | 6A | 120 BPM | ||
Dichterliebe, Op. 48: XV. Aus alten Märchen winkt es | Robert Schumann, Matthias Goerne, Daniil Trifonov | F♯ Major | 2 | 2B | 85 BPM | ||
Winterreise, D.911: 9. Irrlicht - Live In London / 2003 | Franz Schubert, Matthias Goerne, Alfred Brendel | F Major | 0 | 7B | 106 BPM | ||
Symphony No. 7 in C Major, Op. 105 (in one movement): 交響曲 第7番 ハ長調 作品105 14 bars before Adagio (L) | Jean Sibelius, Paavo Järvi, Orchestre de Paris | C Major | 2 | 8B | 75 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Paulus: I. Teil: Nr. 3 Rezitativ SB "Die Menge der Gläubigen" | Felix Mendelssohn, Matthias Goerne, Melanie Diener, Philippe Herreweghe | E Major | 2 | 12B | 143 BPM |
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