"Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble)" by Anonymous, Franz Schubert, Budapest Strings, Béla Bánfalvi was released on January 1, 2004. The duration of Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble) is about 3 minutes long, at 3:19. Based on our data, "Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Classic Moods - Puccini, G. / Schubert, F. / Wagner, R. / Rubinstein, A. / Tchaikovsky, P.I. by Various Artists, Janos Sandor, Béla Bánfalvi, Emil Tabakov, Hans Vonk, Pavel Urbanek, Ádám Fischer, György Lehel. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble) by Anonymous, Franz Schubert, Budapest Strings, Béla Bánfalvi is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble) | Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi | E♭ Major | 0 | 5B | 106 BPM | ||
Clair de lune | Claude Debussy, Finghin Collins | D♭ Major | 0 | 3B | 71 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM |
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