"Sir Christémas" by William Mathias, Choir of King's College, Cambridge, Stephen Cleobury, Henry Websdale was released on November 8, 2019. With Sir Christémas being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 32 in A Festival of Nine Lessons & Carols: The Centenary Service by Stephen Cleobury, Choir of King's College, Cambridge. In terms of popularity, Sir Christémas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sir Christémas by William Mathias, Choir of King's College, Cambridge, Stephen Cleobury, Henry Websdale is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
The King Shall Rejoice: Opening Chorus | William Boyce, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Coronation Orchestra, Antonio Pappano, Peter Holder | D Major | 2 | 10B | 108 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Shakespeare Songs, Op. 80: VII. It Was a Lover and His Lass | William Mathias, Corine Durous, Chœur de chambre Les Eléments, Joël Suhubiette | G Major | 0 | 9B | 76 BPM | ||
Libera Me (The Priory School) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | D♭ Major | 0 | 3B | 177 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 114 BPM | ||
Agnus Dei | Imogen Holst, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 1 | 9A | 109 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM |
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