"Libera Me (The Priory School)" by Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black was released on August 1, 1987. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Sherlock Holmes (Original Granada Television Production Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Libera Me (The Priory School) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Libera Me (The Priory School) by Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
Shakespeare Songs, Book 1: I. Hark! hark! the lark | Matthew Harris, Phoenix Bach Choir, Charles Bruffy | F Minor | 0 | 4A | 73 BPM | ||
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Psalm 23 | Laestadian Lutheran Church, Liisa Keranen, Ashley Niemela, Viena Kontkanen | E Minor | 1 | 9A | 88 BPM | ||
Missa Veni Domine: Id. Kyrie II | Filipe de Magalhães, Cupertinos, Luís Toscano | B Minor | 1 | 10A | 79 BPM | ||
Dominus Vobiscum | Jacob Narverud, Tallgrass Chamber Choir | E♭ Minor | 0 | 2A | 88 BPM | ||
Kristallen den fina | Swedish Folksong, Svanholm Singers, Sofia Soderberg Eberhard | E Minor | 0 | 9A | 68 BPM | ||
Deo dicamus gratias, HoWV IV.2 | Gottfried August Homilius, Sirventes Berlin, Stefan Schuck | F♯ Major | 1 | 2B | 66 BPM | ||
Psalmus Solii Inferni VII. Their Dark Majesty | Michael Allen | D Major | 3 | 10B | 131 BPM |
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