Un ballo in maschera / Act 3: "A tal colpa" - Giuseppe Verdi, Cornell MacNeil, Birgit Nilsson, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Georg Solti Information

"Un ballo in maschera / Act 3: "A tal colpa"" by Giuseppe Verdi, Cornell MacNeil, Birgit Nilsson, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Georg Solti was released on January 15, 1962. The duration of Un ballo in maschera / Act 3: "A tal colpa" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Un ballo in maschera / Act 3: "A tal colpa"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Un ballo in maschera by Giuseppe Verdi, Sir Georg Solti, Birgit Nilsson, Carlo Bergonzi, Giulietta Simionato, Cornell MacNeil, Sylvia Stahlman, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #23 out of 37 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Un ballo in maschera / Act 3: "A tal colpa" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Un ballo in maschera / Act 3: "A tal colpa" BPM

Since Un ballo in maschera / Act 3: "A tal colpa" by Giuseppe Verdi, Cornell MacNeil, Birgit Nilsson, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Georg Solti has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Un ballo in maschera / Act 3: "A tal colpa" being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Un ballo in maschera / Act 3: "A tal colpa" Key

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.