"Concerti a più istrumenti in C Major, Op. 6 No. 1, I. Allegro" by Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi was released on October 23, 2008. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in C Major, Op. 6 No. 1, I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in C Major, Op. 6 No. 1, I. Allegro by Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata da camera No. 1 in C Minor, H 4920: I. Largo | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | D♭ Major | 1 | 3B | 118 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, I. Allegro e vivace assai | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | D♭ Minor | 1 | 12A | 84 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Violin Concerto No. 1 in E Major "Spring", RV 269: III. Allegro | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM |
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