Antonio Maria Bononcini, Marco Ceccato, Accademia Ottoboni made "Sinfonia per camera in C Minor: II. Spiritoso" available on April 15, 2022. With Sinfonia per camera in C Minor: II. Spiritoso being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 25 in Bononcini: Cello Sonatas by Marco Ceccato, Accademia Ottoboni. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sinfonia per camera in C Minor: II. Spiritoso is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sinfonia per camera in C Minor: II. Spiritoso by Antonio Maria Bononcini, Marco Ceccato, Accademia Ottoboni is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VI. Badinage. Trés vite | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 113 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 8 (Adagio) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Overture-Suite in D Major, TWV 55:D1: V. Air 4: Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 95 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: I. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | D♭ Minor | 3 | 12A | 81 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM |
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