"Sonatine for Oboe and Bassoon: II. Récitatif" by André Jolivet, Stefan Schilli, Marco Postinghel was released on October 1, 2013. The duration of Sonatine for Oboe and Bassoon: II. Récitatif is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sonatine for Oboe and Bassoon: II. Récitatif's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Jolivet, Stefan Schilli, Christiane Karg, Cristina Bianchi, Marco Postinghel, Sebastian Klinger, Oliver Triendl's "Jolivet: Chamber Music for Oboe and Cor Anglais" album is number 6 out of 17. On top of that, Germany appears to be the country where this track was created. Sonatine for Oboe and Bassoon: II. Récitatif is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonatine for Oboe and Bassoon: II. Récitatif by André Jolivet, Stefan Schilli, Marco Postinghel to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Poemes: II. Serimpie | André Jolivet, Jeanne Loriod, Liisa Pohjola | D♭ Major | 0 | 3B | 83 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Tango (La cumparsita) | G. M. Rodriguez, Gerardo Matos Rodríguez, Aurelio Scotto, ReWind Quintet | B♭ Major | 1 | 6B | 118 BPM | ||
Release the (Fruit) Bats | David Whatson | E Major | 1 | 12B | 103 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM |
Section: 1.528404951095581
End: 1.5320963859558105