On October 6, 2022, the song "Sonata I: II. Allegro Tempo di Gavotta" was released by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees. With Sonata I: II. Allegro Tempo di Gavotta being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 28 in Chédeville / Vivaldi: Il Pastor Fido by Nicolas Chédeville, Antonio Vivaldi, Jean-Pierre Van Hees, Luc Ponet, Ronan Kernoa. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata I: II. Allegro Tempo di Gavotta's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata I: II. Allegro Tempo di Gavotta by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Sonata II: IV. Allegro | Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees | B♭ Major | 4 | 6B | 123 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: II. Aria | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Christ lag in Todes Banden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM |
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