"Götterdämmerung / Act 3: "Mime hieß ein mürrischer Zwerg" - Live In Bayreuth / 1967" by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Josef Greindl, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm was released on January 1, 1973. Since Götterdämmerung / Act 3: "Mime hieß ein mürrischer Zwerg" - Live In Bayreuth / 1967 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Götterdämmerung by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Gustav Neidlinger, Josef Greindl, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm. The song's track number on the album is #5 out of 44 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Götterdämmerung / Act 3: "Mime hieß ein mürrischer Zwerg" - Live In Bayreuth / 1967 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung / Act 3: "Mime hieß ein mürrischer Zwerg" - Live In Bayreuth / 1967 by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Josef Greindl, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Götterdämmerung / Act 3: "Mime hieß ein mürrischer Zwerg" - Live In Bayreuth / 1967 being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM |
Section: 0.7340915203094482
End: 0.7377984523773193