"Viola da gamba Sonata in G Major, WKO 149: Viola da Gamba Sonata in G Major: I. Adagio. II. Allegro. III. Minuet" by Carl Friedrich Abel, Bengt Ericson was released on December 1, 1993. Since Viola da gamba Sonata in G Major, WKO 149: Viola da Gamba Sonata in G Major: I. Adagio. II. Allegro. III. Minuet is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rolf LaFleur, Bengt Ericson's "Music for Viola Da Gamba And Lute" album is number 9 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Viola da gamba Sonata in G Major, WKO 149: Viola da Gamba Sonata in G Major: I. Adagio. II. Allegro. III. Minuet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Viola da gamba Sonata in G Major, WKO 149: Viola da Gamba Sonata in G Major: I. Adagio. II. Allegro. III. Minuet by Carl Friedrich Abel, Bengt Ericson to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
Canon Perpetuus Super Thema Regium (7) (Bach) | Johann Sebastian Bach | B Minor | 1 | 10A | 109 BPM | ||
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Prélude pour Mr. Vaquelin (Improvisation d'après le Prélude en Sol mineur de Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 49 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM |
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