"Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht" by Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 2000. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Elsie Morison, Dietrich Fischer-Dieskau, Rudolf Koeckert, Bavarian Radio Symphony Orchestra, Rafael Kubelík's "Mahler: Symphony No. 4, Lieder eines fahrenden Gesellen" album is number 5 out of 8. On top of that, Germany appears to be the country where this track was created. Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht by Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 3. O die Frauen, o die Frauen | Johannes Brahms, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 72 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B Minor | 0 | 10A | 92 BPM | ||
Was gleicht wohl auf Erden (Jaegerchor), 900848: Was gleicht wohl auf Erden - Jäger Chor / Chorus of foresters (Was gleicht wohl auf Erden / What excels the pleasures of the chase) from Der Freischütz (The Marksman) | Mariss Jansons, Carl Maria von Weber, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 101 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: Hymnus "Veni creator spiritus": "Veni creator spiritus" - Live From Philharmonie, Berlin | Gustav Mahler, Rundfunkchor Berlin, Prague Philharmonic Chorus, Berliner Philharmoniker, Claudio Abbado | B Major | 1 | 1B | 69 BPM | ||
Te Deum laudamus | Antonín Dvořák, Ewa Biegas, Orfeón Pamplonés, Orquesta Sinfonica de Navarra, Antoni Wit | B♭ Minor | 0 | 3A | 79 BPM |
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