| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | A Minor | 1 | 8A | 79 BPM | ||
| L'apprenti sorcier | Paul Dukas, L'Orchestre National de France, Lorin Maazel, Orchestre National De France | D♭ Major | 2 | 3B | 115 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
| Nocturnes, CD 98: II. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
| Serenade, Op. 2: I. March: Allegro moderato - Tempo di marcia - Trio. Meno mosso | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Antoni Wit | C Major | 1 | 8B | 118 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: 8. Sousedská. Grazioso e lento, ma non troppo, quasi tempo di valse | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | A♭ Major | 1 | 4B | 136 BPM | ||
| Fanfare La Péri | Paul Dukas, Orchestre de Bordeaux Aquitaine, Roberto Benzi | A♭ Major | 1 | 4B | 150 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 2 | 5B | 99 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
| Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
| Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
| Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
| Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
| Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo. Allegro | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
| Suite Pastorale: I. Idylle | Emmanuel Chabrier, Yan Pascal Tortelier, Ulster Orchestra | F Major | 1 | 7B | 100 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 110 BPM | ||
| Má Vlast: The Moldau (Vltava), JB 1:112/2 | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | G Major | 2 | 9B | 98 BPM | ||
| Peter and the Wolf, Op. 67 (Without Narration): The Wolf Tries to Escape - | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 2 | 8A | 96 BPM | ||
| Villanelle pour cor avec accompagnement de piano (1906) | Paul Dukas, Daniel Blumenthal, Barry Tuckwell | C Minor | 0 | 5A | 62 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 77 BPM |
Porter Ricks Mix is a melancholic, low-energy track by Porter Ricks from Replay Debussy, released January 1, 2002. It runs 8:34 at 82 BPM (164 BPM double-time) in B♭ Minor (Camelot 3A).
Find the BPM and music key for any song with our BPM and Key Finder.