Giovanni Pacini, Louis Quilico, Leyla Gencer, Franca Mattiucci, Mario Guggia, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Tito del Bianco, Maurizio Piacente made "Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two" available on April 11, 2006. Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Pacini: Saffo: Saffo! Qui siamo in Leucade! - Alcandro, Saffo, Climene, Ippia, Dirce, Chorus, Faone, Lisimaco - Act Two by Giovanni Pacini, Louis Quilico, Leyla Gencer, Franca Mattiucci, Mario Guggia, Vittoria Maniachi, Teatro San Carlo Orchestra & Chorus, Tito del Bianco, Maurizio Piacente having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
L'Ultimo giorno di Pompei: Act II Scene 6: Su questa man concedi (Ottavia, Sallustio, Appio, Pubblio, Maids, People) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | F Major | 1 | 7B | 72 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM |
Section: 0.8091695308685303
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