Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić's 'Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder)' came out on February 1, 2019. With Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Bach, J.S.: Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder) by Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
The Gordian Knot Untied, Z.597: Chaconne - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 85 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Libertango (Arr. for Recorder and Ensemble) | Astor Piazzolla, Lucie Horsch, LUDWIG Orchestra, Carel Kraayenhof | G Major | 2 | 9B | 148 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 3. Allegro (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 4 | 5A | 111 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM |
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