Libertango (Arr. for Recorder and Ensemble)
Astor Piazzolla, Lucie Horsch, LUDWIG Orchestra, Carel Kraayenhof
Piazzolla: Libertango (Arr. for Recorder and Ensemble)
3:02 July 22, 2022
BPM
148
Key
G Major
Camelot
9B

Embed

Share Link

Libertango (Arr. for Recorder and Ensemble) - Astor Piazzolla, Lucie Horsch, LUDWIG Orchestra, Carel Kraayenhof Information

Acousticness
67%
Danceability
19%
Energy
24%
Instrumentalness
56%
Liveness
36%
Loudness
75%
Speechiness
4%
Valence
12%
Popularity
Loudness
-15.13 dB

Summary

"Libertango (Arr. for Recorder and Ensemble)" by Astor Piazzolla, Lucie Horsch, LUDWIG Orchestra, Carel Kraayenhof was released on July 22, 2022. The duration of Libertango (Arr. for Recorder and Ensemble) is about 3 minutes long, at 3:02. Based on our data, "Libertango (Arr. for Recorder and Ensemble)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Piazzolla: Libertango (Arr. for Recorder and Ensemble) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Libertango (Arr. for Recorder and Ensemble)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Libertango (Arr. for Recorder and Ensemble) BPM

With Libertango (Arr. for Recorder and Ensemble) by Astor Piazzolla, Lucie Horsch, LUDWIG Orchestra, Carel Kraayenhof having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

Libertango (Arr. for Recorder and Ensemble) Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Concerto in A Minor, RV 419: III. Allegro by Antonio Vivaldi, Anastasia Kobekina, Kammerorchester BaselCello Concerto in A Minor, RV 419: III. AllegroAntonio Vivaldi, Anastasia Kobekina, Kammerorchester BaselF♯ Major22B142 BPM
Refrain 1 by Stephen StubbsRefrain 1Stephen StubbsA Minor08A86 BPM
3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder) by Igor Stravinsky, Lucie Horsch3 Pieces for Solo Clarinet, K033: No. 3 (Arr. Horsch for Solo Recorder)Igor Stravinsky, Lucie HorschA Minor48A121 BPM
Star of the County Down (Arr. for Solo Cello) by Sheku Kanneh-MasonStar of the County Down (Arr. for Solo Cello)Sheku Kanneh-MasonD Minor07A82 BPM
Bach, JS / Arr. Cazes: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Pixinguinha, Camerata Brasil, Henrique CazesBach, JS / Arr. Cazes: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. BadinerieJohann Sebastian Bach, Pixinguinha, Camerata Brasil, Henrique CazesC Major58B115 BPM
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings)Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars UpatnieksG Minor06A84 BPM
Capricho árabe by Francisco Tárrega, Pablo Sainz VillegasCapricho árabeFrancisco Tárrega, Pablo Sainz VillegasD Major210B111 BPM
Pièce en forme de Habanera, M. 51 (Version for Oboe and Piano) by Maurice Ravel, Heinz Holliger, Anton KernjakPièce en forme de Habanera, M. 51 (Version for Oboe and Piano)Maurice Ravel, Heinz Holliger, Anton KernjakC Minor05A80 BPM
Platti: Cello Sonata No. 7 in D Major, I. 84: III. Largho by Giovanni Benedetto Platti, Abel Selaocoe, Elizabeth KennyPlatti: Cello Sonata No. 7 in D Major, I. 84: III. LarghoGiovanni Benedetto Platti, Abel Selaocoe, Elizabeth KennyF♯ Minor011A84 BPM
Oblivion pour flûte alto, bandonéon, guitare et contrebasse by Cécile Daroux, Leonardo Sanchez, Juan José Mosalini Jr, Mauricio AngaritaOblivion pour flûte alto, bandonéon, guitare et contrebasseCécile Daroux, Leonardo Sanchez, Juan José Mosalini Jr, Mauricio AngaritaC Minor05A89 BPM
ISRC
GBBBC2200436
Label
L-M Records/RCA Records

Section: 0.5449497699737549

End: 0.5489637851715088