"Requiem, Op. 9: I. Introït" by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives was released on November 11, 2008. The duration of Requiem, Op. 9: I. Introït is about 3 minutes long, at 3:17. Based on our data, "Requiem, Op. 9: I. Introït" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 22 in Duruflé: Requiem; Messe "Cum Jubilo"; 4 Motets sur des thèmes grégoriens by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Requiem, Op. 9: I. Introït is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: I. Introït by Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 137 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
This is the record of John | Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives | F Major | 2 | 7B | 99 BPM | ||
Roland, Opera, LWV 65: Acte I, scene 6: II. Air - Dans nos Climats sans chagrin on soupire (Deux Insulaires) | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | C Major | 1 | 8B | 122 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 1 | 7B | 116 BPM | ||
Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 0 | 9B | 100 BPM | ||
All-night Vigil, Op. 37, "Vespers": O Joyful Light | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 2 | 4B | 105 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
7 Last Words from the Cross: Father, forgive them, for they know not what they do | James MacMillan, Dmitri Ensemble, Graham Ross | B Major | 1 | 1B | 83 BPM |
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