"7 Last Words from the Cross: Father, forgive them, for they know not what they do" by James MacMillan, Dmitri Ensemble, Graham Ross was released on April 1, 2009. 7 Last Words from the Cross: Father, forgive them, for they know not what they do is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in James MacMillan, Dmitri Ensemble, Graham Ross's "Macmillan, J.: 7 Last Words From the Cross / Christus Vincit / Nemo Te Condemnavit / …Here in Hiding…" album is number 1 out of 10. 7 Last Words from the Cross: Father, forgive them, for they know not what they do is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Last Words from the Cross: Father, forgive them, for they know not what they do by James MacMillan, Dmitri Ensemble, Graham Ross to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
For a Thousand Years | James MacMillan, University of Glasgow Chapel Choir, Katy Lavinia Cooper | E Minor | 0 | 9A | 80 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
Into Thy Hands | Jonathan Dove, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | E Major | 0 | 12B | 129 BPM | ||
Entreat Me Not to Leave You | Dan Forrest, Westminster Williamson Voices, James Jordan | B♭ Minor | 1 | 3A | 104 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM |
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