City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act V - i. Joust; ii. Flourish; iii. Quick fig' came out on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act V - i. Joust; ii. Flourish; iii. Quick fig is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Hamlet Op. 32 - 1932 Production - Act V - i. Joust; ii. Flourish; iii. Quick fig's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #29. Based on our statistics, Hamlet Op. 32 - 1932 Production - Act V - i. Joust; ii. Flourish; iii. Quick fig's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet Op. 32 - 1932 Production - Act V - i. Joust; ii. Flourish; iii. Quick fig by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons Recomposed, Spring (After A. Vivaldi): III. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | E Major | 3 | 12B | 111 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VIII. W.N. | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Major | 0 | 9B | 86 BPM | ||
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Minor | 0 | 5A | 147 BPM | ||
Grieg : Symphonic Dances Op.64 : No.4 in A minor | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra, Tim Oldham | A Minor | 1 | 8A | 79 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM |
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