Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) - Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle Information

Acousticness: 97%
Danceability: 13%
Energy: 1%
Instrumentalness: 95%
Liveness: 9%
Loudness: 43%
Speechiness: 4%
Valence: 21%
Popularity: 3%
Loudness: -34.166 dB

Summary

Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle's 'Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)' came out on November 7, 1994. The duration of Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Elgar: Orchestral Works by City Of Birmingham Symphony Orchestra, Sir Simon Rattle. Based on our statistics, Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) BPM

The tempo marking of Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Elégie in C minor Op. 24 - 1995 Remastered Version	Gabriel Fauré, Jacqueline du Pré	A♭ Major	0	4B	90 BPM
Brook Green Suite, H. 190: I. Prelude. Allegretto	Gustav Holst, Richard Hickox, City of London Sinfonia	C Major	1	8B	67 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso	Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	E♭ Major	1	5B	66 BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Martha Argerich	F Major	0	7B	130 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile	Joseph Haydn, Kodály Quartet	G Major	0	9B	106 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro	Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen	F Major	2	7B	122 BPM
Elgar: Salut d'amour, Op. 12	Edward Elgar, Itzhak Perlman, Samuel Sanders	D Major	1	10B	176 BPM
Wiegenlied, Op. 49, No. 4	Johannes Brahms, Leonidas Kavakos, Yuja Wang	E♭ Major	0	5B	74 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.747509241104126

End: 0.7543950080871582