Johann Sebastian Bach, Südwestdeutsches Kammerorchester Pforzheim, Sebastian Tewinkel, Cyprien Katsaris's 'Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo' came out on September 1, 2005. The duration of Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo is about 3 minutes long, at 3:02. Based on our data, "Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 14 in Allegro: Original Motion Picture Soundtrack by Johann Sebastian Bach, Cyprien Katsaris, Sebastian Tewinkel, Südwestdeutsches Kammerorchester Pforzheim. In terms of popularity, Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Südwestdeutsches Kammerorchester Pforzheim, Sebastian Tewinkel, Cyprien Katsaris is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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