George Frideric Handel, Jordi Savall, Marta Matheu, Hanna Bayodi-Hirt, Anthony Roth Costanzo, Makato Sakurada, Furio Zanasi, Le Concert Des Nations, La Capella Reial De Catalunya's 'Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis"' came out on October 28, 2016. The duration of Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis" is about 3 minutes long, at 3:18. Based on our data, "Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 27 in Dixit Dominus by Jordi Savall. In terms of popularity, Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis" by George Frideric Handel, Jordi Savall, Marta Matheu, Hanna Bayodi-Hirt, Anthony Roth Costanzo, Makato Sakurada, Furio Zanasi, Le Concert Des Nations, La Capella Reial De Catalunya is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM |
Section: 0.6934280395507812
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