"Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas)" by Henry Purcell, Emmanuelle Haïm, Camilla Tilling, Ian Bostridge, Le Concert d'Astrée was released on 2003. The duration of Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas) is about 3 minutes long, at 3:27. Based on our data, "Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #32. Based on our statistics, Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas) by Henry Purcell, Emmanuelle Haïm, Camilla Tilling, Ian Bostridge, Le Concert d'Astrée having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Dido and Aeneas / Act 2: "The Queen of Carthage, whom we hate" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 104 BPM | ||
Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM |
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