"Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. With this song being about 5 minutes long, at 4:59, "Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #15. Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angel Heart, Pt. 1: Chapter 2b, Mother Nature's Son (Arr. D. Sanford for Voices & Ensemble) | David Sanford, Daniel Taylor, Sanford Sylvan, Mike Marshall, Matt Haimovitz, Uccello | D Major | 3 | 10B | 101 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Cello Sonata in A Major, Op. 69 No. 3: IIIa. Allegro vivace | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | E Minor | 0 | 9A | 81 BPM | ||
Elegy for Solo Viola | Igor Stravinsky, Tatjana Masurenko | C Minor | 0 | 5A | 82 BPM | ||
Das Mädchen und der Engel, Pt. 2: Chapter 10b, Der Osten trägt ein Kleid aus Blättern | Luna Pearl Woolf, Cornelia Funke, Matt Haimovitz, Uccello | D Major | 2 | 10B | 74 BPM | ||
7 Variations in E-Flat Major on "Bei Männern welche Liebe fühlen", WoO 46 | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | G Major | 1 | 9B | 76 BPM | ||
Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
Suite for Variety Stage Orchestra: VII. Waltz. No. 2 (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) | Dmitri Shostakovich, Matt Haimovitz, Christopher O'Riley | E♭ Minor | 1 | 2A | 74 BPM |
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