"Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble)" by Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos was released on January 19, 2018. The duration of Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hadar: Evening Of Roses (Arr. Cello, Clarinet & Ensemble) and no other songs are present in the album, we classify this track as a single. In terms of popularity, Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) by Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A♭ Major | 1 | 4B | 94 BPM | ||
Carnival of the Animals: Aquarium | Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy | A Minor | 0 | 8A | 70 BPM | ||
14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E Minor | 1 | 9A | 86 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Waltz In A Minor Opus Posth. Kk4B No. 11 - Allegretto | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Schwanengesang, D. 957: IV. Ständchen in D Minor (Arr. for Violin and Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | D Major | 1 | 10B | 108 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturnes, Op. 9: No. 1 in B-Flat Minor | Emma Czaplica | F♯ Major | 1 | 2B | 212 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Dedications: Solitude (For Yehudi Menuhin) | Nigel Kennedy, Oxford Philharmonic Orchestra, The Stella | A Major | 2 | 11B | 75 BPM |
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