"Violin Concerto, Op. 14: III. Presto in moto perpetuo" by Samuel Barber, Esther Yoo, Royal Philharmonic Orchestra, Vasily Petrenko was released on January 26, 2022. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Barber, Bruch by Esther Yoo, Royal Philharmonic Orchestra, Vasily Petrenko. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. Based on our statistics, Violin Concerto, Op. 14: III. Presto in moto perpetuo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 14: III. Presto in moto perpetuo by Samuel Barber, Esther Yoo, Royal Philharmonic Orchestra, Vasily Petrenko is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Romanza (Spanish Romance) | Anonimo Anonimo, Andrés Madariaga | E Minor | 1 | 9A | 113 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Excursions Op. 20: I. Un poco allegro | Samuel Barber, Israela Margalit | C Minor | 2 | 5A | 81 BPM |
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