"Le Roi David, H 37, Part. 2: La Danse devant l’arche" by Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, L'Orchestre de la Suisse Romande, Christophe Balissat had its release date on February 3, 2017. This song appears to be safe for all ages as it is not explicit. The track order of this song in Arthur Honegger, L'Orchestre de la Suisse Romande, Daniel Reuss, Athena Poullos, Lucie Chartin, Marianne Beate Kielland, Thomas Walker, Christophe Balissat, Ensemble Vocal de Lausanne's "Honegger: Le Roi David" album is number 16 out of 27. In terms of popularity, Le Roi David, H 37, Part. 2: La Danse devant l’arche is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Roi David, H 37, Part. 2: La Danse devant l’arche by Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, L'Orchestre de la Suisse Romande, Christophe Balissat to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sextet, FP 100: Allegro vivace | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | A Minor | 1 | 8A | 140 BPM | ||
Asunder: I. Agitated | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Ibert: 3 Pièces brèves: I. Allegro | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 116 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Le Roi David, H 37, Part. 3: Chant de la servante | Arthur Honegger, Ensemble Vocal de Lausanne, Daniel Reuss, L'Orchestre de la Suisse Romande, Marianne Beate Kielland | F Major | 0 | 7B | 77 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | G Major | 3 | 9B | 79 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM |