"The Dream of Gerontius, Op. 38, Pt. 2: But hark! upon my sense" by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany was released on April 26, 2024. With this song being about 5 minutes long, at 5:24, "The Dream of Gerontius, Op. 38, Pt. 2: But hark! upon my sense" by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Elgar: The Dream of Gerontius by Edward Elgar, Nicky Spence, Andrew Foster-Williams, Anna Stephany, Paul McCreesh, Gabrieli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Dream of Gerontius, Op. 38, Pt. 2: But hark! upon my sense is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt. 2: But hark! upon my sense by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis (1544): Agnus Dei | Cristobal de Morales, Gabrieli, Paul McCreesh | D Minor | 1 | 7A | 70 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Missa pro Defunctis (1544): Prefatio | Cristobal de Morales, Gabrieli, Paul McCreesh | G Major | 0 | 9B | 132 BPM | ||
Elijah, Op. 70: "Elijah! Get Thee Hence, Elijah" (Recitative) | Felix Mendelssohn, Sarah Connolly, Paul McCreesh | B♭ Major | 1 | 6B | 97 BPM | ||
Te Deum, WAB 45: IV. Salvum fac populum tuum | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Kyrie à 12 | Andrea Gabrieli, Gabrieli, Paul McCreesh | A Minor | 1 | 8A | 171 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
Funeral Sentences | Thomas Morley, Gabrieli, Paul McCreesh | F♯ Minor | 1 | 11A | 78 BPM |
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