"Santa Francesca Romana: "Si piangete pupille dolente"" by Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski was released on January 1, 2005. Since Santa Francesca Romana: "Si piangete pupille dolente" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Opera Proibita (Bonus Track Version)". In this album, this song's track order is #12. Santa Francesca Romana: "Si piangete pupille dolente" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Santa Francesca Romana: "Si piangete pupille dolente" by Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Maddalena ai piedi di Christo, Parte seconda: No. 3, Aria "Parti, Che di virtù" | Antonio Caldara, Riccardo Novaro, Le Banquet Céleste, Damien Guillon | F♯ Minor | 3 | 11A | 91 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Il più bel nome: Part II: Aria: Al grande onor di sposa (Fato) | Antonio Caldara, Maria Espada, Raquel Andueza, Marianne Beate Kielland, Robin Blaze, Agustin Prunell-Friend, Cor de Cambra D'Antiga de L'esmuc, Concierto Espanol, El, Emilio Moreno | A♭ Minor | 1 | 1A | 74 BPM | ||
Maddalena ai piedi di Cristo: No. 45 Aria Fariseo "Chi drizzar di pianta adulta" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Ulrich Messthaler | A♭ Minor | 3 | 1A | 85 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM |
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