"Ave Maria: arr. from Bach's Prelude No.1 BWV 846: Ave Maria" by Charles Gounod, Johann Sebastian Bach, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler was released on January 1, 2013. The duration of Ave Maria: arr. from Bach's Prelude No.1 BWV 846: Ave Maria is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ave Maria: arr. from Bach's Prelude No.1 BWV 846: Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Pavarotti The 50 Greatest Tracks". In this album, this song's track order is #21. Ave Maria: arr. from Bach's Prelude No.1 BWV 846: Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria: arr. from Bach's Prelude No.1 BWV 846: Ave Maria by Charles Gounod, Johann Sebastian Bach, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 92 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Gounod : Faust [Ballet music] Appendix : VI Allegretto | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | G Major | 0 | 9B | 88 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM | ||
Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Gounod : Faust : Act 3 "Écoute-moi bien, Marguerite!" [Valentin, Marthe, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E Minor | 0 | 9A | 127 BPM |
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