"Carmina Burana: VIII. Chramer, gip die varwa mir" by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra was released on January 1, 2005. The duration of Carmina Burana: VIII. Chramer, gip die varwa mir is about 3 minutes long, at 3:23. Based on our data, "Carmina Burana: VIII. Chramer, gip die varwa mir" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #8. Based on our statistics, Carmina Burana: VIII. Chramer, gip die varwa mir's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: VIII. Chramer, gip die varwa mir by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Orff: Carmina Burana: Conclusion, Fortuna Imperatrix Mundi, No. 25 "O Fortuna" - Chorus | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Highcliffe Junior Choir, David Hill | D Minor | 2 | 7A | 133 BPM | ||
Spartacus highlights (1993 Digital Remaster): Variation of Aegina | Aram Khachaturian, London Symphony Orchestra | F♯ Major | 3 | 2B | 79 BPM | ||
Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste | Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 92 BPM | ||
Carmina Burana: VIII. Chramer, gip die varwa mir | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 146 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
Swan Lake, Op.20, Act III: 16. Dance of the Guests and the Dwarfs (Moderato assai - Allegro vivo) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 127 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Der Tod, Matthias Claudius, für Sprechstimme, two Holzglocken, Baß-Xylophon und Tam-Tam, Paralipomena Nr. 20, Carl Orff 1977 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | G Minor | 0 | 6A | 103 BPM |
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