"Norma (1997 Digital Remaster), ACT 1, Scene 1: Va, crudele, al Dio spietato (Pollione/Adalgisa)" by Vincenzo Bellini, Franco Corelli, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. Norma (1997 Digital Remaster), ACT 1, Scene 1: Va, crudele, al Dio spietato (Pollione/Adalgisa) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 14 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. In terms of popularity, Norma (1997 Digital Remaster), ACT 1, Scene 1: Va, crudele, al Dio spietato (Pollione/Adalgisa) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 1: Va, crudele, al Dio spietato (Pollione/Adalgisa) by Vincenzo Bellini, Franco Corelli, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ehi Di casa...Buona Gente | Gioachino Rossini, Riccardo Chailly | C Major | 2 | 8B | 103 BPM | ||
Norma / Act 1: Norma! de'tuoi rimproveri | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Montserrat Caballé, Welsh National Opera Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 81 BPM | ||
Ponchielli:La Gioconda, Act 1: "L'ora non giunse ancor del vespro santo" (Gioconda, Barnaba, Cieca, Chorus) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 169 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Cavalleria rusticana: Comare Santa | Pietro Mascagni, Carlo Bergonzi, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F♯ Major | 1 | 2B | 82 BPM | ||
Gounod: Romeo and Juliette, CG 9, Act 1: "De grâce, demeurez" (Roméo, Juliette) | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 0 | 7B | 107 BPM | ||
Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 1 | 3A | 82 BPM | ||
Ponchielli: La Gioconda, Act 4: "Suicidio!" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 87 BPM | ||
Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 115 BPM |
Section: 0.6225693225860596
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