Charles Roland Berry's 'Serse, HWV 40: Ombra mai fu' came out on August 12, 2021. The duration of Serse, HWV 40: Ombra mai fu is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Serse, HWV 40: Ombra mai fu's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Serse, HWV 40: Ombra mai fu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serse, HWV 40: Ombra mai fu by Charles Roland Berry having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Minuets, WoO 10: No. 2 in G Major (version for orchestra) | Ludwig van Beethoven, Hungarian National Philharmonic, György Gyorivanyi-Rath | G Major | 1 | 9B | 66 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: II. Giga. Allegro | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 89 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
String Quartet No. 12: Pastorale | Charles Roland Berry, Ellinor String Quartet | G Major | 2 | 9B | 81 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino | B Minor | 0 | 10A | 132 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM |
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