Charles Roland Berry, Ellinor String Quartet made "String Quartet No. 12: Pastorale" available on March 15, 2024. String Quartet No. 12: Pastorale is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 19 out of 20 in Charles Roland Berry: Music from Modern Comic Operettas by Charles Roland Berry, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. String Quartet No. 12: Pastorale is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of String Quartet No. 12: Pastorale by Charles Roland Berry, Ellinor String Quartet is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | D Major | 3 | 10B | 141 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Bizet: Carmen Suite No. 1: III. Intermezzo (Andantino quasi allegretto) | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
Walzer Adur, Op. 39, No. 15 | Brahms, Grand Philharmonia Orchestra | F Major | 1 | 7B | 182 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | ||
L'Arlésienne Suite No.1, WD 40: 4. Carillon | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 138 BPM |
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