On October 21, 2010, the song "Medley: Overture/Rome" was released by Cesare Siepi. The duration of Medley: Overture/Rome is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Medley: Overture/Rome's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Bravo Giovani (original Broadway Cast Recording) by Cesare Siepi. In terms of popularity, Medley: Overture/Rome is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Medley: Overture/Rome by Cesare Siepi is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malìa | Francesco Paolo Tosti, Cesare Siepi, Dino di Stefano, Unknown Orchestra | D♭ Major | 3 | 3B | 73 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Don Quichotte à Dulcinée. M. 84 (Version for Voice & Piano): No. 2, Chanson épique [Live] | Maurice Ravel, Cesare Siepi, Leo Taubman | A Major | 1 | 11B | 80 BPM | ||
Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) | Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | D♭ Major | 3 | 3B | 69 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Luna Nova | Pasquale Mario Costa, Cesare Siepi, Dino di Stefano, Unknown Orchestra | D Major | 3 | 10B | 92 BPM |
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