Rückert-Lieder: Ich bin der Welt abhanden gekommen - Gustav Mahler, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner Information

Acousticness: 97%
Danceability: 9%
Energy: 2%
Instrumentalness: 5%
Liveness: 8%
Loudness: 46%
Speechiness: 5%
Valence: 4%
Popularity: 30%
Loudness: -32.526 dB

Summary

"Rückert-Lieder: Ich bin der Welt abhanden gekommen" by Gustav Mahler, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner was released on January 1, 1996. Since Rückert-Lieder: Ich bin der Welt abhanden gekommen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anne Sofie von Otter's "Mahler: Songs of a Wayfarer; 5 Rückert-Lieder / Zemlinsky: Six Songs to Poems by Maurice Maeterlinck" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Rückert-Lieder: Ich bin der Welt abhanden gekommen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rückert-Lieder: Ich bin der Welt abhanden gekommen BPM

We consider the tempo marking of Rückert-Lieder: Ich bin der Welt abhanden gekommen by Gustav Mahler, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Rückert-Lieder: Ich bin der Welt abhanden gekommen Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild	Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker	B Major	4	1B	137 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	B♭ Major	1	6B	93 BPM
The Rite of Spring: Part One: Adoration of the Earth: Introduction	Igor Stravinsky, Teodor Currentzis, musicAeterna	B Minor	0	10A	87 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Violin Concerto No. 1 In D, Op. 19: 3. Moderato	Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn	G Minor	1	6A	65 BPM
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro	Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha	A Minor	3	8A	133 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
A Midsummer Night's Dream, Op. 61: Scherzo	Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées	G Minor	1	6A	118 BPM

ISRC: DEF059305505
Label: L-M Records/RCA Records

Section: 0.7797141075134277

End: 0.7846095561981201