"Sancta mater istud agas" by Francisco de Peñalosa, Corale Universitaria di Torino, Dario Tabbia was released on March 1, 2014. The duration of Sancta mater istud agas is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sancta mater istud agas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Polifonia sacra nel rinascimento spagnolo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Based on our statistics, Sancta mater istud agas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sancta mater istud agas by Francisco de Peñalosa, Corale Universitaria di Torino, Dario Tabbia having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
O sácrum convívium | Antonio de Salazar, Horacio Franco, Cappella Cervantina | A♭ Major | 3 | 4B | 92 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Chansons: Je me recommande humblement | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 2 | 3B | 107 BPM | ||
Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM |
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